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Concert Programme

Act 1

Fanfare for the Third Planet

Richard L. Saucedo

A vibrant musical tribute to our own planet Earth, Fanfare for the Third Planet combines rhythmic energy, bold brass writing, and fresh harmonic colour to create a work that feels both celebratory and expansive. Powerful fanfare-like statements drive the piece forward, evoking a sense of planetary grandeur and motion. In contrast, a brief central section offers calm reflection through delicate woodwind textures and layered orchestration, as if pausing to admire the beauty and fragility of the world below. The music then rebuilds with growing intensity toward a brilliant conclusion, capturing both the majesty and vitality of the planet that inspired it.

Shortcut Home

Dana Wilson

Shortcut Home is an energetic and exuberant fanfare built around constant momentum and bright orchestral colour. Each section of the ensemble is featured as musical ideas pass rapidly from one voice to another, creating a sense of movement and excitement. Influenced by a variety of rhythmic and harmonic styles, the music unfolds in sweeping gestures and cascading figures, always pushing forward with purpose. Beneath its lively surface is the feeling of a journey; one that twists, turns, and accelerates until finally arriving at its destination in a triumphant C major conclusion.

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Chasing Sunlight

Cait Nishimura

Inspired by the experience of driving westward into a setting sun, Chasing Sunlight captures the feeling of racing against time to catch the final light of day. A persistent eighth-note pulse creates a sense of urgency throughout the piece, while soaring melodic lines reflect the warmth and brilliance of sunlight just before dusk. Beyond its visual inspiration, the work carries a deeper message: just as daylight inevitably fades, life itself is marked by impermanence. The music becomes a reflection on pursuing opportunities while they are still within reach, balancing urgency with lyrical beauty as it moves toward its radiant close.

Firefly

Ryan George

Firefly celebrates the imaginative world of childhood, where ordinary objects and moments become gateways to fantasy. The piece was inspired by composer Ryan George’s young daughter, who, upon seeing a firefly in the yard, insisted it was not an insect at all, but Tinkerbell arriving to take her on an adventure. That moment of wonder shapes the spirit of the music, which sparkles with light textures, quick movement, and playful colour. Shimmering lines and sudden bursts of energy suggest flickering light in the night air, while lyrical passages capture the sense of awe that comes from seeing the world through a child’s imagination.

Flashing Winds

Jan Van der Roost

(Guest Conductor: Michael Pereira)

Written for the Arlequino Youth Band of Belgium, Flashing Winds is a brilliant showcase of colour, precision, and uninterrupted momentum. Following a majestic opening built from striking chordal blocks, the piece launches into a continuous rush of virtuosic motion that never relaxes in tempo. Bright orchestration and sharply defined rhythmic writing give the work its flashing, almost electric quality, while recurring harmonic blocks unify the structure from beginning to end. Representative of a modern European wind band sound, the piece demonstrates both technical brilliance and vivid musical imagination.

Intermission

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​Act 2

Red Rock Rhapsody

Griffin Hook

(Guest Conductor: Griffin Hook)

Inspired by the striking coastlines of Prince Edward Island, Red Rock Rhapsody transforms the natural beauty of Canada’s East Coast into a vivid musical landscape. The work begins in stillness, evoking low tide through calm melodic writing and subtle percussion that suggests waves brushing the shoreline. As the music grows, rising textures portray the gradual pull of the tide before shifting into a Celtic-inspired section that honours the region’s Irish heritage and fishing communities. A sudden storm interrupts the calm, bringing dense textures and forceful percussion that depict the Atlantic in chaos. Later, nautical themes and sea-shanty rhythms emerge before the work returns to tranquility, mirroring the tides as they recede and leaving behind a portrait of both the power and serenity of coastal life.

Shenandoah

Frank Ticheli

Frank Ticheli’s setting of Shenandoah transforms the familiar American folk melody into a broad and deeply expressive musical meditation. Inspired by the flowing imagery associated with the river itself, the arrangement unfolds with gentle, sustained lines that gradually expand in emotional depth. Rather than simply imitating the motion of water, the music suggests the enduring life and timelessness of a river; sometimes calm and reflective, sometimes rising with quiet strength. The result moves from introspection to optimism and finally to a powerful sense of exaltation, allowing the enduring beauty of the melody to resonate with clarity and warmth.

A Longford Legend

Robert Sheldon

I. A Longford Legend

II. Young Molly Bawn

III. Killyburn Brae

Drawing on traditional Irish song and storytelling, A Longford Legend is a three-movement suite that brings folklore vividly to life. The first movement tells the comic tale of a boastful Major who buys a steam-launch without learning how to stop it, resulting in absurd disaster and ghostly legend. The second movement, Young Molly Bawn, turns darker, recounting a tragic folk ballad in which a hunter mistakenly shoots his beloved at sunset. The final movement, Killyburn Brae, restores humour through a lively and mischievous tale of a quarrelsome wife so troublesome that even hell refuses to keep her. Together, the suite moves through comedy, tragedy, and wit, capturing the rich emotional range of Irish legend.

Aurora Awakes

John Mackey

Inspired by Aurora, the Roman goddess of dawn, Aurora Awakes traces a dramatic journey from darkness into radiant light. Beginning in near stillness, the music slowly gathers energy, gradually unfolding into an expansive and brilliant second half filled with colour and momentum. John Mackey builds the work almost entirely around E-flat major, creating a luminous harmonic world that reflects the bright optimism of sunrise. Along the way, listeners may hear subtle references to Where the Streets Have No Name and First Suite in E-flat for Military Band, woven into the texture as homage to musical influences. The final chord arrives in dazzling brilliance, like the first full burst of daylight across the horizon.

Thank you for coming!

Conductor

Mark Saresky

Musicians

Flute

Maye Cheng

Ashley Hung

Binyao Ke

Natalie Wong

Grace Connolly

Diane Lin

Ram Upadhyaya

Kirsten Major

Oboe

Kristie Ng

Ruby Quirino

Clarinet

Julia Mamcarz

Michael Pereira

Jiwon Shin

Yunshu Zhao

Tao Wang

Cady Liu

Ingrid Wilkinson

Rylen Fong

Cheryl Huang

Katie Harris

Raymond Chen

Cathy Zuo

Bass Clarinet

Platon Gorokhov

Isaiah Edmondson*

Bassoon

Samantha De Young

Tiana Chan

Alto Saxophone

Zachary Xerri

Nathaniel Frost

Zhuoyang Song

Samuel Velasco

Junzhe (Lawrence) Qian

Austin Lee

Alan Minkovich

Daniel Yang

Tenor Saxophone

Ryunosuke Azumi

Zixun (Jett) Pei

Baritone Saxophone

Nick Bradbury

Tom Cai

French Horn

​Clare Wu

​Patrick Brophy

Christiana McHardie

Helena Glowacki

Jacob Zemans-Ronthal*

Trumpet

Jason Hayhoe

Griffin Hook

Jimmy Li

Jimmy Zeng

Dhanya Jagannathan

Sophy Leung

June Oh

Trombone

James Mackey

Lawrence Veregin

Eli Sol

Jonathan DeSilva Corson ​

Maggie Pang

Euphonium

Alexander Leonardos

Candy Tang

Michael De Biasio

Anthony Wang

Tuba

David Jobin

Percussion

Rainbow Mai

Fernanda Wrobel Pabst

Catherine Lu

Simba Zou

Jack Wong*

Julia Kitaygorodsky*

Phoenix Mok-Wong*

Tom Philip*

Piano

Jesse Sol

Double Bass

Shaurya Gupta

*Guest Musicians

© 2025 Hart House Symphonic Band. All rights reserved.

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